Prime Target

1989

Angie Dickinson Special Guest Stars Joseph Bolgna (Manza); David Soul (Armetage) Starring Yaphet Kotto (Brown); Joe Regalbuto; Dennis Lipscomb Also Starring (in alphabetical order) Joe Anderson (McGuire); Dennis Creaghan (O’Brian); Wanda De Jesus; Andy Romano (Roselli); Arthur Taxier; Mills Watson (Fahey) Special Appearance by Charles Durning (Earl Mulcahoney); Patrice Canmi (Juanita Esquivel); Richard Cansino (Jesus Esquivel); Roma Alverez (Mr. Sandoval); Vance Valencia (Dr. Morgan Christopher); Don Draper (Store Manager); Father Robert Curtis (Monsignor); Michael Gregory (Car Cop); Mark Carlton (Mr. Weissman); Joanne Baron (Mrs. Weissman); Eloy Cassados (Thin Man); Victor Mack (Stud 1); French Napier (Stud 2).

Music by Chris Boardman; Editor: Mark Conte; Production Design: Richard Hoover; Director of Photography: Anthony B. Richmond B.S.C.; Produced by Dennis E. Jones; Based on the Novel “No Business Being A Cop” by Lillian O’Donnell; Written for Television and Directed by Robert Collins; Executive Producer: Robert Collins; First Groucho: Mike Starr; Second Groucho: Neil Ben Ari; Unit Production Manager: Dennis E. Jones; First Assistant Director: Myers; Second Assistant Director: Tom Snyder; Art Director: Marc Fisicnella; Set Decorator: Brian Kasch; Property Master: Barry Franenberg; Chief Lighting Technician: Kevin Kelly; Key Grip: Dylan Shepard; Production Sound Mixer: James Thornton; Costume Designer: Csilla Marki; Women’s Costumer: Marti Masamitsu; Men’s Costumer: Maurizio Bizzari; Makeup Artist: Alan Fama S.M.A.; Hairstylist: Linle White; Production Executive: Charles S. Carroll; Technical Advisor: J.P. Pomposello; Casting Associate: Rick Millikan; Transportation Coordinator: Gary Hellerstein; Construction Coordinator: Keith Cox; Casting by Mary Jo Slater C.S.A.; Script Supervisor: Susan Bierbaum; Production Coordinator: Gretchen Iversen; Assistant to thew Executive Producer: Beth Volku; Supervising Music Editor: Christopher S. Brooks; Re-Recording Mixers: Gary Bourgeois; Rick Nary; Chris Carpenter; Sound Supervision: Sync-Pop, Inc.; Panaflex Camera and Lenses by Panavison; RLC Productions in Association with Finnegan Pinchuk; MGA/UA.